Framework launches new Apple Music curator page of full length sets from 2026 series
Framework debuts its Apple Music curator page with exclusive sets from Chris Lake, FISHER, Disco Dom, and more.
Framework is thrilled to debut its Apple Music curator page. This new and exciting edition features full-length sets from Framework’s 2026 re:frame residency in Los Angeles. Expect to see top-notch performances from the scene’s hottest producers, including Chris Lake, FISCHER, Disco Dom, The Martinez Brothers and many more.
Framework focuses on producing some of LA’s best underground dance music events, premiering at large-scale venues, intimate environments, and open-air spaces designed with dancers in mind. With Apple Music’s curator page, these events can now be rewatched again and again from anywhere around the world.

Framework takes pride in its mindfully curated events, with lineups handpicked by the team’s expertise in dance music culture. Their artist selection reflects the brand’s commitment to quality. This new content is exclusive to Apple Music and will not be available to fans on other streaming platforms. While this may be disappointing for fans subscribed elsewhere, Apple is currently offering one month of free listening, plenty of time to explore Framework’s new Apple Music curator page.
Framework is a high-performing promotion team responsible for some of the Los Angeles area’s hottest dance music events. Framework’s most recognizable creation is arguably the iconic Yuma Tent, Coachella’s home for underground house and techno. They are also the masterminds behind Sound Nightclub, an undeniable addition to Los Angeles nightlife that continues to host some of the biggest names in electronic music year after year.
For anyone who has attended a Framework event before, these sets offer a chance to relive some of those memories from home. If you weren’t able to make it out to Los Angeles, the curator page is the next best thing, giving fans access to full performances from some of dance music’s biggest names.




