k?d to rebrand to hard dance under new project ‘Kill The Kid’

After nearly a decade of melodic bass and future sounds, k?d closes one chapter and unleashed a harder era that could shake up the game

k?d has officially announced that his current musical era is coming to a close, but the producer has hardly been walking away from electronic music. Instead, he has been preparing to unleash a harder, faster chapter through his upcoming k?d Presents: Kill The Kid performances. After nearly a decade of building a reputation across melodic bass, future bass, and midtempo sounds, the artist has been ready to turn the volume—and apparently the BPM—way up.

Over the years, k?d has established himself through releases on influential labels including Ophelia, Dim Mak, Monstercat, and HypnoVizion. His melodic productions have earned him a dedicated following and opportunities across major stages, but hard dance has remained close to his roots. He has revealed that his love for heavier sounds has stretched back to his early teens, ultimately inspiring him to begin producing electronic music as a teenager.

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That passion has occasionally broken through the walls of the k?d project. He has explored harder territory through appearances at Project Z, collaborations with Kayzo and Steve Aoki, and a memorable back-to-back set with Gammer at EDC Las Vegas. Rather than continuing to squeeze contrasting sounds into one musical identity, he has finally embraced the idea that the two sides can exist separately. Honestly, the BPM spreadsheet has probably never looked happier.

The transition has now been introduced through k?d Presents: Kill The Kid, which has been described as a significantly harder experience. Upcoming appearances at Effex Albuquerque on October 9 and Escape Psycho Circus during Halloween weekend have already been positioned as early showcases for the new direction. The project has effectively been less of a goodbye to electronic music and more of a dramatic genre switch with the bass turned aggressively upward.

Meanwhile, k?d has continued preparing to close out his existing chapter with the remaining dates of his End Of The Universe tour. Stops in Indianapolis, Fort Lauderdale, Spokane, Sacramento, and Huntington Beach have been lined up as opportunities for longtime fans to experience the sound that has defined the project before the transition has fully taken hold.

For k?d, the evolution has represented more than a stylistic change. The project has given him a decade of global travel, major festival stages, collaborations, and a community of fans who have followed every sonic twist. Now, he has been choosing to pursue the harder music that originally inspired him. The k?d era may have been nearing its finale, but Kill The Kid has suggested that the next chapter is going to hit considerably harder.

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Kevin Moran

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