Rebecca Black invites John Summit to upcoming show after he slams her Boiler Room set

Rebecca Black’s Boiler Room Set has sparked Online Debate Drawing a Response from John Summit.

Last Friday, September 14th, singer and internet personality Rebecca Black took the stage at a Boiler Room event in Washington, D.C., delivering a DJ set that quickly took the internet by storm. Known for her viral hit “Friday,” Black has recently reinvented herself in the music world, especially in the electronic scene, which led to a mixed reaction from fans and critics alike.

While some praised Black’s Boiler Room set for its energy and creativity, others were more critical, including rising house music star John Summit. Summit, whose influence in the electronic music scene has been steadily growing, tweeted his disapproval, writing, “That’s it, Boiler Rooms are dead.” His comment stirred controversy, as some viewed it as undermining Black’s performance, which was her first Boiler Room set. Many fans took to social media to defend Black, commending her for pushing boundaries and stepping into a new arena within her evolving career.

Rebecca Black’s response, however, was swift and witty. In a display of good humor, she invited Summit to attend her upcoming show in Brooklyn on October 5th, tweeting, “John Summit, you should come.” On Instagram, Black took it a step further by using Summit’s own tagline, posting, “Brooklyn, how the f**k we feeling baby?” The playful jab showcased her ability to handle criticism with grace and confidence, a hallmark trait for women in the music industry who often face harsher scrutiny than their male counterparts.

Black’s transformation from her early internet fame to a legitimate artist in the electronic scene is a testament to her resilience and creativity. Her willingness to engage with detractors in a lighthearted yet assertive manner also reflects a growing trend of women in the arts reclaiming their narratives and challenging outdated perceptions. By continuing to push forward, Rebecca Black is proving that women in music not only belong but can thrive in spaces historically dominated by men.