Balenciaga Ripped by Rave Community for Selling £3k Worn-Out Festival Wristband Bracelets

Balenciaga has faced controversy after their next collection showcases a £3k Worn-Out Festival Wristband Bracelet

In a move that has sent shockwaves through the rave community, luxury fashion house Balenciaga has introduced a controversial accessory to its Autumn/Winter 24/25 collection: a “used” festival wristband bracelet priced at a staggering £3,000. This unexpected offering has ignited a firestorm of criticism, with ravers and festival enthusiasts alike expressing outrage at what they perceive as a grossly exploitative and tone-deaf attempt to capitalize on the vibrant rave culture.

In the vibrant rave community, festival wristbands transcend mere accessories—they represent cherished mementos. These adornments symbolize unforgettable experiences, camaraderie, and the indomitable spirit that defines rave culture. Often worn with pride until they become frayed and discolored, these wristbands serve as badges of honor, each whispering tales of events attended and memories forged. However, the idea of buying a pre-worn, artificially distressed wristband at an exorbitant price feels like a mockery of the authenticity and sentimental value that these genuine wristbands hold.

Social media platforms, especially those popular among festival-goers and electronic dance music enthusiasts, were inundated with critical comments directed at Balenciaga. Many accused the brand of cultural appropriation, arguing that it was commercializing a deeply personal and community-oriented aspect of rave culture for financial gain. 

Critics questioned the exorbitant price of the wristband, which at £3,000, is about eight times more expensive than a ticket to a major festival like Glastonbury. This price disparity underscores the widening gap between luxury fashion brands and the regular people who are the foundation of rave culture. Balenciaga’s target audience, affluent individuals who view the bracelet as a status symbol, contrasts starkly with the very community the brand aims to emulate. The move raises concerns about the commercialization of subcultures and the ethical implications of high fashion’s appropriation of grassroots movements for inspiration.

Balenciaga’s “used” festival wristband has sparked a contentious debate within the rave community, raising questions about cultural appropriation, commercialization, and the significance of festival memorabilia. As the fashion industry increasingly seeks inspiration from subcultures, brands must approach these communities with respect and authenticity to ensure that their creations align with the values and spirit of the cultures they aim to represent. 

Featured Image Courtesy of Riot Fest

About The Author

Emilee Gabbard

My name is Emilee Gabbard. I currently live in sunny Orange County, CA. By day I am a project manager working in the aerospace industry, but by night a music blogger for yours truly, Exron Music! I have been writing for Exron Music for around eight months now and cannot wait to see what is to come throughout the years. At festivals and clubs, you will find me at any house and techno stage supporting my favorites Eli Brown or Dom Dolla, or belting every word to Porter Robinson tracks wherever he performs.

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